Grateful to Boog founder David Kirschenbaum, and Portland editors Phoebe Wayne and Sarah Bartlett for featuring two of my poems in the Portland-New York edition of the Portable Boog Reader [PDF].
“There is rain in me” is dedicated to Paul Maziar. “You want it darker?” is after a line by Evan Kennedy (by Leonard Cohen)
Rob McLennan published this interview with me–in which I admit to having wanted to be a figure skater, and get the chance to speak of many other poets I love.
Thanks to Anselm Berrigan for publishing in the Rail!
Photos by Stephen A. Miller of our performance Tuesday at Littman White Gallery in Portland. Art by Hiroshima-native Yukiyo Kawano and poetry by me, a native of Los Alamos, where the atomic bombs were made. Our aim is to bring to life the human impact of nuclear weapons so they will never be used again. Please learn more and support our project at https://www.indiegogo.com/projects/suspended-moment-community-education#/
This is a photo of Yukiyo Kawano and me standing in front of the world’s first plutonium reactor, which made the plutonium for the atomic bombs. Yuki is from Hiroshima, a third-generation atomic bomb survivor. I’m from Los Alamos, where the atomic bombs were made.
Photo by Stephen A. Miller
That night, not far from this reactor, Yuki and I along with dancer Meshi Chavez and composer Lisa DeGrace performed a piece centered around Yuki’s life-size sculptures of the atomic bombs, made of kimonos from her grandmother and stitched with strands of her own hair. I blogged here about our whole trip to Hanford.
Photo by Stephen A. Miller
Talking about it later, I think none of us predicted the impact this experience would have on our bodies—how we felt coming together in this place—with all we carry from Hiroshima and Los Alamos, from our parents and our ancestors.
We’ve launched a fundraising campaign to bring this performance to nuclear sites all around the world. The nuclear threat is far from over—as Trump’s rhetoric about arming Japan with nuclear weapons makes clear.
We embody what nuclear weapons mean, and we want to share that. We work, in the words of poet Carolyn Forché, against forgetting. We hope you’ll consider supporting us. Much more info is here.
After We All Died is officially in the world. The people at Ahsahta Press have written a stunning description of it over at the site–to be compared to one of my heroes Ursula le Guin!
I reviewed Sue Landers’s stunning new book Franklinstein on Jacket2. It’s an exploration of how meandering becomes an ethics and a poetics, and poetry becomes a healing.
The amazing people at Hatch Innovation recorded a podcast featuring the collaboration bringing together me as a poet and native of Los Alamos, NM–the place where the atomic bombs were made–with visual artist Yukiyo Kawano from Hiroshima and Butoh dancer Meshi Chavez from Albuquerque.
Kaia Sand and I read last night–pieces on fire, desire, fossil fuels–at Passages Bookshop, thanks to the generous David Abel. Kaia sewed and burned skirts for us. She burned the word “desire” into my skirt.
Kaia illuminates the moth so it shadows the wall behind–with fossil fuels we are like moths to flame.
I’m very happy to have work in the new issue of Tripwire Journal, a celebration of the poet CAConrad, with my Drone poem dedicated to him and his campaign against the FKRs (flying killer robots).